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There is a lot of stuff going on the City, and we can't write about it all. Here are some interesting things some of our friends have written up lately.

• Bedford + Bowery ⇒ Ai Weiwei’s Archway Art Gets Green-Lit and Christmas Tree Move Has Villagers Seeing Red
• Bklyner ⇒ Rezoning for Controversial Pfizer Site Approved
• Brokelyn ⇒ 60 Years Ago, the Brooklyn Dodgers Played Their Last Game
• Brooklyn Based ⇒ Stephen and Owen King Launch "Sleeping Beauties" in Brooklyn - Brooklyn Based
• Brooklyn Paper ⇒ Taco Time! Bushwick Festival Celebrates the Mexican Treat
• Chelsea Now ⇒ Close to Tears, HRPT Head Said Costly Litigation Sunk Pier55
• Curbed NY ⇒ A Visual History of NYC’s Subway Cars
• DNAinfo New York ⇒ Meet the Trump-Loving '1St White Rapper' Who Wants to Be NYC's Night Mayor
• Daytonian in Manhattan ⇒ The 1891 Caxton Press Building - 171-173 Macdougal Street
• Greenpointers ⇒ The Brooklyn Horror Film Fest Will Scare the Living Sh*t Out of You - Greenpointers
• Guest of a Guest ⇒ 9 Day Trips to Take in the Fall Foliage Near NYC
• New York Times ⇒ Remember When They Wanted to Build a Parking Lot Over the Hudson?
• StreetEasy Blog ⇒ Cost Per Square Foot NYC: What Space Costs in 3 Boroughs
• Streetsblog New York City ⇒ Hundreds of Kids Biked on the Cross-Bronx Expressway — So NYPD Arrested Them
• The Lo-Down ⇒ Essex Crossing Developers Seek Proposals for 220-Foot Mural | the Lo-Down : News From the Lower East Side
• Untapped Cities ⇒ There’s a Monument to an Elephant Stampede in NYC’s Brooklyn Bridge Park

Street artist Imani Shanklin Roberts recently created this literal street art by painting a large stretch of Franklin Street in Tribeca for a piece commissioned by a partnership between South African Tourism and Citi Bike with the Department of Transportation.

The mural, called XOLA, was installed over the past weekend and made in the style of Ndebele house painting by Shanklin Roberts. The mural emulates artist Esther Mahlangu’s style “while folding in divine feminine symbolism which is representative of [Shanklin Roberts’s] own work.” A description of the work continues, “Vibrant colors and feminine symbolism are used to call on onlookers to tap into their feminine strength, fullness and inner light.”