Alex Roediger, MoMA’s senior information coordinator, looks at Helen Frankenthaler’s "Jacob’s Ladder" (1957) with a painter’s eye, and finds that “more paint” isn't always the key to making a dramatic statement—even in Abstract Expressionism.
Museum of Modern Art
Matt Coneybeare
Editor in Chief
Matt enjoys exploring the City's with his partner and son. He is an avid marathon runner, and spends most of his time eating, running, and working on cool stuff.
Something wrong with this post? Let us know!
